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Updated
06.14.08


Phoenix Magazine Article
February 1984

Posted with the kind permission of "Phoenix Magazine"...

Walking One's Talk

I went to the woods because I wished too live deliberately,  to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. -- Henry David Thoreau.03_25_35.jpg (123615 bytes)

Geoffrey Platts, who, in his lilting English accent, likens himself to Thoreau, went not to the woods, but to the desert. There, he lives in a one-room cabin that serves as workroom, bedroom and, when the weather's bad, kitchen. It's a dark roost, full of crowded bookshelves, a writing table, a bed, a few chairs and an old Franklin wood-burning stove. All sorts of interesting paraphernalia hang from the rafters. clothes dangle from a suspended pipe in the corner. The wall decor can only be described as hodgepodge. If he could see it, Thoreau would be proud. There is no gas, no electricity, no kitchen sink, no bathroom, no telephone -- not even a battery-powered radio. There are bugs and rodents. "Any creatures are welcome as long as they don't bother me," Platts declares magnanimously.

Just out the door, a natural patio of fallen leaves shed by over-handing trees forms Platt's fairweather dayroom/ kitchen. A single spigot provides water piped in from somewhere upstream. Beneath a tree, a precarious-looking table holds neatly stacked plates, cups, and cutlery. Pots and pans hang from nails on a huge tree root next to the outdoor fireplace/grill. A round, weathered table offers an open-air workplace.

This humble niche lies within a hidden Sonoran valley made lush by a pulsing, musical creek. It is desert nirvana -- a place where shady cottonwoods and sycamore meet prickly pear, palo verde, and saguaro. Platts appreciates his surroundings, and made us promise not to reveal his little alley's location.

"Reading, writing, ruminating and rambling encompass almost the totality of my existence," reflects the vigorous Platts, who displays an outdoorsman's deep-tanned face and roughened hands. Since he owns no car, he has to "ramble" three and a half hours just to get to the nearest town.

Platt's income, which need not exceed $200 a month, comes form freelance writing, selling homemade plaques featuring his calligraphy and reading poetry aloud for interested groups. "Those things are not lucrative in the modern sense of the word, but they do buy my beans and tortilla flour," says the youthful 45-year-old.

Born and raised in England, Platts left home in 1960 to backpack around the world. In 1962,after his funds had run out, he immigrated to Arizona and went to work for Camelback Inn. "I was too much of a callow youth at the time to be enamored of the desert," he recalls. "I was very interested in what most young men are -- parties and hell raising and so forth. It wasn't till, I would say, my early thirties that it became a deep and abiding love affair with the desert."

Platts first made that affection public as a bottle-bill activist in 1974. To illustrate to state lawmakers the seriousness of the roadside litter problem, he went to the Capitol and dumped collected bottles and cans from a huge garbage bag onto the Senate floor. "I did sweep it up -- got out my broom and gathered up the lizards and so forth," he says. But not before newspaper photographers captured the event. He and his litter appeared in newsprint the next day.

"Usually, however, he expresses his dedication to desert preservation in more generally accepted ways. In 1982, he spearheaded another unsuccessful bottle-bill effort, and he's an involved member of the Arizona Nature Conservancy. (The nonprofit, Tucson-based conservancy owns and preserves thousands of acres of our state's natural desert lands.)

On a daily basis, he "walks his talk" by picking up roadside litter, and writing scores of letters to people all over the state encouraging desert conservation and preservation. "As a man who comes from another country and traveled all over the world, I can tell you that, on the face of this earth, there is absolutely nothing like the Sonoran Desert," he sad. "It seems to me that, for the most part, Arizonans do not realize the beauty and singularity that surrounds them. Which is why local governments and the state of Arizona have permitted this desolation. Phoenix is a good example. What I would ask for is not the cessation of development, but development with love and respect for what we have here. For the most part, developers could have a damn about what we have here."

To prove his point, Platts takes us to a large lot in Carefree where desert flora have been completely erased and cleared to make way for construction. Rather than build within the existing environment, the developer chose to eliminate it.

Platts doesn't want to see such abuses occur in the Phoenix Mountain Preserves. He's even opposed to the scenic drive some have proposed. 'I can tell you one thing that I now for absolute fact," he says. "The moment you put a road of any description into any part of this desert, it's the beginning of the end of that desert. For litter inevitably follows roads. My feelings are that since the preserves are living libraries and the last remnants of the Sonoran Desert, they should be cherished for that purpose. I have known people who are not capable of hiking into these areas who nonetheless love them for the fact that they are there.

"I have dedicated the remainder of my days to this cause of desert preservation. It's that serious to me."